The Tick vs. HIM (Part Three)

The Tick vs. HIM
Part Three: The Tick vs. Steve Remen

By the time December had rolled around, I actually managed to get into storyboarding for the animation studio I was working for so I had a few episodes under my belt. So, I called Ben Edlund up to see if they needed any storyboard artists for the third season of The Tick animated series. He told me they did and to call Hank Tucker at Sunbow Productions, in L.A.

Being the sort of chap I am, I called Hank Tucker, who was the series Director, and he agreed to give me some work. I really didn’t expect it to be so easy as I was accustomed to being asked for samples of my work. So, I offered to send some sample storyboards to Hank and he said I didn’t need to send any. The exchange when like this…

Steve: “Do you want me to send you some storyboard samples?”
Hank: “No. You have experience, right?”
Steve: “Yeah.”
Hank: “And Ben says you can draw, so it’s ok.”

Within a couple of days I had a script and the designs and I was working on season 3 of The Tick. Very cool!

The first episode I worked on was the third act of “The Tick vs. Dot and Neil’s Wedding”. It was the first time an animation script made me laugh out loud. The Tick’s line “I wrestled his tongue!” made me laugh. It was a great script and I was thrilled to be on the show. It was clearly going to be fun to draw and storyboard and… it was.

The only comment Hank had about my first storyboard was, “Don’t make it so flat”. My training in storyboard was standard animation cutting and staging, which means like a stage play or a 1970s episode of… well… anything. Real dull stuff. Hank’s comment to me motivated myself to just forget about what I was told was the “correct way” to tell a story and design a storyboard and just do whatever I thought was best and not over think things too much. It was the best Director’s note I ever got and my work improved 100%, almost overnight, as a result. I can not thank Hank Tucker enough for that.

The other two I storyboarded were “The Tick vs. Filth” (I did the stuff in Sewer Urchin’s lair leading up to the commercial break where the Sewer Czar is revving up his troops) and the first act of “The Tick vs. Prehistory” from the start, where the cave man is transported into the present day and runs around Tick’s apartment, up to the first commercial break.

After the series finished, I took a trip to New York and visited the Sunbow offices and was treated real nice by everyone. I was shown around and later taken out to dinner to a fantastic Indian restaurant by Chris McCulloch, also known by the pseudonym Jackson Publick (creator of The Venture Bros.), who was writing for the show and drawing storyboards.

The Sunbow staff in New York and L.A. were simply a great group of people who couldn’t have been more fun to work for and with. I did work for them, on and off, for several years after The Tick until the studio closed. It’s a shame they folded because it was a great place.

If a DVD set of The Tick 3rd season ever sees the light of day, you can see some of my work for it and even my name in the credits; however, these episodes have been posted on YouTube, so there ya go.

Needles to say, I had a blast on The Tick while it lasted.

One last thing: One day, a package arrived at my door from Sunbow. I wasn’t working for them, at the time, and had no idea what it could be. I did the logical thing and opened the envelope (I’m like Sherlock Holmes, that way). To my great surprise, I pulled out an animation cel of The Tick holding a block of wood, that he would eventually carve Little Wooden Boy out of. Didn’t I say the Sunbow people were a great group?

-Steve