M.I.A.

Looking at the date of the last post, it appears that I have been out of circulation for a few months. Well, everyone needs a rest, especially when they are simply busy juggling the many balls of life that are ever present. Even more so when additional unexpected balls get tossed into the circle. In short: when one is busy and has a million things to do, something has to give and 999,999 things to do is still better than a million. Things have settled, however, and so I have time to post again more regularly. I hope to even find time to add some more materials to the site, but let’s not run before breath has been fully caught back!

So what is new?

NEWS!

SISEFF

-It looks like CONNECTED still has some life. Connected has been requested for screening at this year’s Seoul International Extreme-Short Image & Film Festival (SESIFF) in September. It was in competition two years ago at the same festival. I guess the organizers liked the film enough to have it back, but not for competition, this time. I’ve been invited to attend the festival and I think I’ll do just that. I’ve never been to Korea before so it should be a fun trip and what better reason to go? More festivals can feel free to invite me if they wish.

I’m considering documenting the trip and festival on film and turning it into something. If it works out, there will be something to show, later. If it amounts to nothing, well there you are.




-I’m writing a book! I call it a novelization, but a book is a book. A couple years ago, I wrote a screenplay for a film I wanted to make, but it has been sitting on ‘the shelf’ since then, primarily because it’s hard to get a movie going. I had the idea, one day, to turn it into a novel. It seemed like a novel idea.

(Pause so you can gather you sides which I’m sure just split)

Based on that joke, you get an idea of my classical style of writing that you can look forward to in my book.

Currently, I’m about half-way through the first draft. I hope to finish the first draft by mid-August. If I don’t, it may need to wait for the fall to be finished since I’ll be very busy again for the balance of the summer (excluding the next 3 weeks). I like yo write in chunks and not peck away, so I am waiting for a solid block of time where I can focus and make the book my only priority.

After the first draft, I’ll do ye old rewriting/revisions/polishing. After that, I’ll look into exactly how I want to publish and promote it: go though a publisher (If they’ll take it), self-publish, make it an eBook online? At this point, I’m collecting data and opinions. If anyone has any thoughts, experience, or knowledge of the book selling world, I’m happy to receive any thoughts and/or advice.

The book tittle is MY AFTER LOVE LIFE and it is what I would consider a love story. I don’t know if others would see it that way, but I do. And anyone who knows me knows what a romantic I am so that should lend credence to my opinion of the story.

Ok, so that’s the news worth updating for today. Regular updates are back as of…

NOW!

-Steve
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Stairs and Stuff (Part Three)

NEWS:
There has been a slight delay between posts and said delay stems from ye old eternal life dilemma: When too much work and too much life intersect at the same time, time becomes a luxury. In other words, I had a lot of stuff going on and posting a blog entry had to take a back seat to everything else. I’m still quite busy, but the show must go on, as it were.

Back to the story I was telling…

I asked the always wonderful Sharon Mak to play the part of the second walker. Sharon played ‘The Girl’ in CONNECTED and was kind enough to trust me once again to not make her look foolish on camera.

A mutual friend of Sharon’s and mine was in town and the three of us where chatting over dinner. It was then that I pitched the story to Sharon and The Professor (the mutual friend and a real professor). I told them what would happen in the film and when I was finished explaining the story there was this pause and look of confusion on their faces. Calmly the Professor turned to Sharon and deadpan said, “He’s being creative”. It was one of those moments that pretty much any creator will have when everything you are talking about makes sense to yourself, but makes no sense at all to any normal human being. Nevertheless, Sharon agreed to be in the film.

SHOOTING: Day One

I figured it was a good idea to shoot all of Sharon’s parts first. In my head, I only needed her in one shot and to help me with another. So she showed up to my flat and we proceeded into the stairwell on my floor where pretty much all the action would take place. The first shot done was to be the cut where I land at the bottom of the stairs and the banana peel falls on my head. I told Sharon, when she asked what she needed to do, “I need two things: 1) For you to walk down the stairs in one shot and 2) For you to drop a banana peel on my head”. She grinned broadly at the second task as I figured she would, relishing in being able to take part in my personal humiliation.

Starirs-still-03
It was a hard shot to get because the space at the landing was tight and I had to set up the camera at an angle wherein it would look like my head was hitting the floor and not show the cushion my head would in fact hit (though it was a THIN cushion) and be framed as such that when the banana peel landed on my head, it would be in frame AND look good. Any number of things could have gone wrong and all of them did. Such as: My not landing in the right spot (My knees were up two steps because the landing was a tight space so I had to start my fall from that hight), by not falling fast enough, the camera not being in the correct spot or shifting due to it slipping when I hit my head on the cushion, my being out of focus, and finally… Sharon missing my head when she dropped the banana peel, not dropping it at the right time (too soon or too late), or the peel not landing in a nice looking way. Needless to say, it took a lot of takes to get it right. If I am not mistaken, the take used is the one where I hit my head pretty hard on the THIN cushion and saw stars when I landed. That’s showbiz!

After we got that out of the way, we shot my standing up, walking out, panning up the stairs and following Sharon’s walk down and reaction when she got to the bottom of the steps. That was also quite difficult because I wanted it all in one take and once again, if one thing didn’t go right, it would have to be done all over again. I forget how many takes we did, but it wasn’t as many as it could have been. I think the take I used was the last one we shot. I moved on because it was one of those moments where I just felt I had what I needed. BUT, just in case, I took some safety shots of Sharon walking down the steps and reaction so that if the one take didn’t work, I could have editing options and salvage the scene. Lucky for me, that last take worked. I think we must have done at least twice as many safety shot takes as we did the master shot and I ended up using none of them: I didn’t need to.

Stairs-Still-01
I think we’d been at it for a couple hours and it was STEAMING HOT in that stairwell. It was the middle of summer and that stairwell had no air circulation at all. I was wet with sweat and Sharon was dry as a bone. How? Only she knows. My theory is that she isn’t human. Either way, I called it a day with a shrug and muttering something like, “I guess I have what I need. Yeah, I think I’m good. It should be fine. I don’t know… Yeah, it’s fine,” not really 100% sure I did have what I needed, but I’ve learned to trust my creative instincts over the years. Sharon was a trooper and said she’d be ok with continuing, to make sure I was happy, but it was hot and I didn’t want to keep her too long and she was already being so patient about everything, so I just stopped.

Stairs-Still-02
Sharon did a great job and her few seconds in the final film don’t portray the amount of work she put in for her contribution. Even on the day, I don’t think she really understood what the film was supposed to be, yet she went along with it all and trusted that I knew what I was doing. For that, I give her my utter thanks.

I took Sharon out for a quick lunch and I returned home to look at the footage and pick the takes I would use. As I said, I got my one take shot as I wanted it and felt very happy about the first day of shooting. It didn’t amount to much finished footage/time, but I liked what I had. Alas, my clothes were soaked with sweat so I had to allow them to dry before I could do any more shooting, so tomorrow would be another day.

Next: Walking Makes One Sweat

HIM
The second issue has been completed over at HIMcomic. You may have noticed that no new pages have been posted in the past couple of weeks. As previously mentioned, I’m a but busy, right now, and so HIM will be on hiatus for a time until I can be freed up once again. I will start posting HIM again soon, but for now, I’ll be posting on this site for the time being. Naturally, I will announce when HIM continues from this blog. Thanks for your patience.

-Steve
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Stairs and Stuff (Part Two)

So I had my idea for a new mobile film, the question I needed to ask myself was ye old ‘How am I going to make it?’


In case you haven’t watched it yet...

My first mobile film (CONNECTED) was shot and recorded almost 100% on a Sony Ericsson mobile phone. What wasn’t shot and recorded on that phone was recorded on a second almost identical phone. That worked very well for that short film, but a couple years had passed and it seemed like I needed and wanted to do something that was, for lack of a better phrase, ‘a step up’. Not to mention that I was now using an iPhone as my phone. Well, there was my answer: I’ll just use the same thinking I did on my first mobile film: use the phone I’m using to shoot the film.

When I first heard of the whole mobile film concept, I thought the idea was to shoot films with a phone. It was only after I finished CONNECTED and had the film accepted into the 2009 Hong Kong Mobile Film Festival did I find out that my film was quite possibly the ONLY film accepted that was recored using a mobile phone. I got that impression when I watched the other submitted films, but also at the judging panel interview as they seemed interested in exactly to what extent I did use the phone as a recording device (For the record: not a single frame or sound didn’t pass through the phone’s lens or microphone. It was 100% phone recorded). So I then understood that the “mobile” in mobile film was referring to the viewing device and not the artistic tools used to make the film. I could have shot using an HD cam if I wanted. All’s well that ends well: I won two awards at that festival, for CONNECTED, and one more elsewhere, so the super low resolution of my film didn’t hurt it and it saved me the cost of buying or renting an HD cam.

My general feeling on any creative endeavor is to start under the premise of not how professional I want to look by virtue of the tools people see me holding, but how professional I want the end product to look. The latter philosophy, I find, saves a lot of time and money and the user end shouldn’t know any different. For STAIRS and STARES, why use an HD cam if the film is only supposed to be screened on at the biggest, an iPad sized screen via highly compressed video? So, I decided that if the film is mostly going to be seen on a phone like an iPhone, I may as well use the camera designed to shoot video for said device. And that’s what I did. Every decision artistically or otherwise stemmed from the fact that I would shoot with an iPhone. More about that later.

I did have a problem. I knew that it was likely that I’d play the main part, myself, and so I’d be on camera and I’d have to operate it at the same time. That ruled out another hand held film: I needed a tripod. More importantly, I needed a mount for a tripod that could hold an iPhone. I didn’t even know if anyone made such an item so I did what anyone would do: I searched online. I found a couple mounts on Amazon.com that looked ok and would have done the job, but I came across something much more interesting on my internet travels: Owle Bubo!

owle2
This sweet thing is a solid piece of aluminum. It’s rock solid!!

The Owle Bubu solved one problem and presented some interesting bells and whistles:

1) It served as a solid tripod mount for the iPhone.
2) It added a simple, yet effective, microphone so I could get better sound recording.
3) It added a 37MM lens option to my shooting options over the standard iPhone lens. Brilliant!

Owle1
Note the small pointable mic on the side. Shockingly, it helps a lot.

The 37MM lens meant my film would look slightly different from other people’s films (if they also shot with an iPhone, that is). I hoped that it would make the shots look a little bit more interesting and slicker. It would also allow me to get wider shots in tight spaces. That was very practical considering my entire film takes place in a stair well where camera positioning with a tripod would be limited.

Needless to say, I bought the Owle Bubo and I bought a decent tripod: I was ready to go!

owle3
The iPhone fits snuggly into the back and we’re off to the races!

I make no mention of writing the script because I never wrote one. I don’t even have a typed or scribbled outline. I knew from the get go that I wouldn’t need a script since there was no dialogue and the basic story is quite simple enough. Also, because so decided that I was going to construct the entire film in editing. I had the whole film mapped out in my head and certain specific shots, such as the final shot in the film before the credits, planned out in enough detail in my head, that, for the most part, I just shot coverage and would work with what I had when I sat down to edit. No need for a script to do that. I liked the puzzle aspect of making a film that way.

Like with CONNECTED, I also didn’t draw a storyboard for this. I’ve drawn storyboards for some 15 years now: I don’t feel the need to storyboard my own stories. It’s easy enough to do it on the spot (on set, as it were).

So, I had my story, my plan and my equipment. I had my principle actor (Me. It was an expedient choice. I’d get what I want the first time, adjust with minimal effort and be available at my own whim) and my location scouted (My own building’s stair well!). All I had to do was get the person I needed to play the part of the second walker. I knew I wanted that part to be a girl and I had I pretty good idea of whom I could ask and whom might agree.

Next: Why is it every time I do something like acting, it’s always so dang hot?

In the meantime...

HIM
The new page (pg 50) has been posted over at HIMcomic. No pick to click on, this week! Just click on the link (you just passed it!) and get the latest page! YAY!

-Steve
Comments

HIM vs. The TICK Remastered!

Once again, I give a big “THANKS!” to Michael Reed Thureson. He was kind enough to send me a nice color scan of the convention sketch that myself and Ben Edlund did of HIM and The Tick (Tick drawn by me and HIM by Ben).

HIMTickTEAM

To revisit that tale of high adventure, go HERE and relive the glory that was!

In the meantime...

HIM
The new page (pg 49) has been posted over at HIMcomic. Click on the pretty preview of this week’s action to get more comics! BUH!!
HIM049_pre
-Steve
Comments

Stairs and Stuff (Part One)

Ok, first thing: I haven’t posted in a while because I was a) very busy and b) had a computer go down on me and that put me out of action for several days while I felt with that. However, I have a new computer and a free day so I have time to post again.

So a bit about STAIRS AND STARES. Please watch it first…




The first thing to note is that this is to be considered a Mobile Film. The intended viewing screen size is intended to be no bigger than an iPad screen if even that large. It isn’t supposed to be viewed bigger than that.

This idea came in a flash: As is my usual custom, I walk down my building’s stairwell to go out. One evening, when I reached the bottom the the stairs, I turned back and looked at the steps and thought (Yes, my mind does fork like this):

(Spoiler Alert)

‘It would be interesting if a row of eyes opened up. Hmmm… What would I do? I guess I’d stare back. Then what? I guess a staring contest would ensue. What if they won? That wouldn’t be every interesting. What if I won? I guess I’d run the steps like Rocky and celebrate my victory. Well, that’s not much of an ending, it needs more. I guess I could slip on a banana peel and fall down the steps: my reward for winning is some quality humiliation. The stars would laugh at me and I’d stop off in a huff. Still not much of an ending, though. AH! I could have Sharon walk down the steps and have to face the same staring contest I just did. GREAT!! That’s an ending. What do I call it? ‘Stairs and Stares’. Ok, now I must make this. That’s too perfect!’

Screen-Shot-2012-02-08-at-12.46.10-PM
This is about the size of an iPhone screen and the preferred screening size.

And that is exactly how it wend and took about the time it took you to read all that. Between the initial idea and deciding I would make the film, was about 2 minutes. By the time I reached the street from my building, I was recording the idea into my mobile phone.

Next: “How am I going to make this?”

In the meantime...

HIM
The new page (pg 48) has been posted over at HIMcomic. Click on the tasty preview of this week’s action to get more comics! HM?!
HIM048_pre
-Steve
Comments

Almost Therrrrre...

I’ve been a bit busy, this week. Actually, a lot busy!! The write up about STAIRS and STARES will be posted on Tuesday.

In the meantime...

HIM
The new page (pg 47) has been posted over at HIMcomic. Click on the oddly cropped preview of this week’s action to get more comics! CLIP!!
HIM047_pre
-Steve
Comments

Stairs & Stares PREMIERE

Here is my latest short film: STAIRS and STARES!


I’ll write more about the film in a couple of days.

In case that isn’t enough quality entertainment...

HIM
The new page (pg 46) has been posted over at HIMcomic. Click on the poignant preview of this week’s action to get more comics! UH!!
HIM046_pre
-Steve
Comments

Inking HIM

Hopefully no one noticed that this week’s page of HIM (You did go look at it, didn’t you?) was the first time I have ever tried to ink something digitally. Ok, PARTIALLY digital.

Now, I’m the first to prefer ye old paper, pencil and ink over digital drawing, but since my old paint brush needs replacing and since the quest to find a new brush that is a good one for inking isn’t the easiest task (even when I spend real money for one), and seeing as how I’m quite busy... I thought I’d try something expedient and finish the page I started inking, a while back, digitally.

Here is a breakdown of how I drew the page from start to finish.

1) I rough laid out the page with a green pencil. Many people like to rough in blue, but I like green. What can I say, I’m a natural born contrarian/non-conformist. The page was drawn on an 8.5”x11” sheet of Xerox paper, in case anyone cares to know.
2) I type up all lettering and place/draw in, using a red marker, all word balloons and captions and voila...
HIM45_pencils

3) On paper, the next step was always that I’d lay a sheet of bristol board (thin smooth stuff) overtop the penciled page and ink using a light-box. I always started/start doing the panel boarders, word balloons/captions and sound effects lettering. Then, using markers, I’d ink the small details and key facial features that I didn’t want to use a brush for, for reasons that either involved ruling lines, thin lines I wanted more control of, or very precise details I wanted to look exactly the way I wanted them to look with no surprises (faces and some hands).

I usually was left with something like this...
HIM45_ink_start

4) I’d then go in with a brush and do all the remaining line work and fill in all blacks to finish the page. In the case of THIS page, I used digital tools in place of a real brush.
HIM45_finished

Question: Does it still look like I inked it?

For me, sometimes it does and sometimes it doesn’t.

Personally, I like the feel and spontaneity of real ink in brush on paper. Digital tools just can’t as yet replicate the action one gets from a real paintbrush. I inked a few more pages partly digital and a few purely digital. My conclusion is that I like having real art, but the digital tools are handy for dealing with corrections, after the fact. Whether or not I think I’ll continue to ink digitally or not will depend on how busy I am. Sometimes it’s just expedient to not remove the computer gear off my table and just get the work done.

I’m not precious about my art, so whatever it takes to get the job done and looking like it should is fair game, from my point of view. As long as I get to my destination, I don’t care much how I get there (Unless it’s painful).

My wisdom is endless.

-Steve
Comments